Star Trek

For those who don't know, I am a die-hard Trekkie. I have seen every single episode of every single Star Trek series as well as every movie. I own two shelves full of Star Trek novels, the entire Star Trek: Deep Space Nine series on DVD. I also have all collector's edition DVD of all ten prior Star Trek movies. So do not expect this to be an unbiased review of the 11th Star Trek movie.

The aliens, spaceships, lasers and explosions are exciting but that is not what I liked most about Trek. After all Star Wars has all these but I do not like Star Wars. The best of Star Trek is its roots in Science Fiction. Science Fiction that talks about the human condition. The best Trek stories reflect issues we humans face as civilization and Star Trek movies tend to be the largest mirrors of society at large. For example, Star Trek II: The Wrath of Khan was a look at Life, Death and how we Live. In 1986 movie, Star Trek IV: The Voyage Home, was a story about environmental conservation 20 years before Al Gore sounded the alarm about Mother Earth in 2006. Stories like these get me excited.

The new Star Trek movie is certainly a blockbuster, guaranteed to make at least 200 million for Paramount Pictures. And as a blockbuster, it has its share of spiffy starships, computer graphics and action sequences that make it a spectacular to watch on the big screen (and as a Trekkie I have duly watched it twice). Sadly, the new Star Trek movie is missing the most critical aspect of Star Trek, it did not hold up a mirror to the human condition.

The review by Christopher Orr of The New Republic sums it up well:

Yet, for all the amusement Star Trek provides, it's hard to shake the sense that something has been lost in translation. Abrams's film is in some ways a throwback not to the original series, but further still to the pulpy exploits of Flash Gordon and Buck Rogers, in which sneering villains were forever threatening to blow up the heroes' home planets. Gene Roddenberry's original "Trek" aimed higher than such space opera, toward the moral, political, and technological sophistication of Asimov, Heinlein, and Clarke. It didn't always succeed--and, when it did, it wasn't always terribly exciting--but it was something new, and important, in the pop-cultural universe. For his rookie outing at least, Abrams has focused on simpler cinematic diversions. There's no question that his Star Trek radically revitalizes the franchise; but it does so in part by setting aside what distinguished the show in the first place.